Lash models wanted — free lash extensions if you can lie still
Lash work is the longest appointment in this finder and the stillest. You lie on your back with your eyes closed while somebody isolates one natural lash at a time, and for two to three hours you cannot look at anything. That suits some people completely and nobody else at all, which is the honest thing to establish before you apply rather than at the hour.
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Each advert names what is being done — classic, hybrid, volume, a lift — with the town, the day, the start time and the length its poster expects. Open one and read the conditions before you apply; a volume set is a different afternoon from a lift.
No lash model calls are live at the moment. The rest of this page is what a lash sitting involves, and an advert appears here the hour it is published.
See every model callWhat a lash model actually sits for
A full set, almost always: classic one-to-one, a hybrid mix, or Russian volume fans built two to six lashes at a time. Lash lifts and tints are also asked for and take under an hour. The person working on you may be on a course that certifies her, or she may already be certified and moving up from classic to volume, which is the jump that needs the most practice heads. An academy's assessment day wants several models at fixed hours, because an examiner has to watch each one.
How long it takes, and what those hours are like
A classic set is around two hours for somebody learning; volume is two and a half to three and can be more. You are flat on your back, eyes closed from the first tape to the last, with a pad under each lower lash line. You can talk, and most people stop after twenty minutes. You cannot use your phone at all, you cannot check the time, and if you have somewhere to be afterwards leave a clear hour past the estimate on the advert — a student's set almost always runs over, and she is not allowed to rush the isolation.
What it costs you, and what you keep
Free, the cost of the materials used on you, or a reduced model price — the advert says which before you apply and there is no fourth shape. What you keep is two or three weeks of a full set before it starts to look gappy, and lashes shed on their own schedule, so the refill is the part people do not plan for. A student's set is often heavier than you expect and a first set is where the length gets chosen too ambitiously; say what you want it to look like, in words, before she starts taping.
Before you sit for lashes
This page is not medical advice and nobody here checks anything on anybody's behalf, so what protects you is what you ask and what you say. Lash adhesive is the one product in this marketplace people most often react to, and the question about it is worth asking in a message rather than on the day.
- Ask about a patch test before the day, and say if your eyes are sensitive or you have reacted to adhesive, tape or tint before. Ask it in a message — you do not have to apply to ask a question.
- Come with clean lashes and no mascara, no oil-based products and no lash curler that morning. Take contact lenses out before you lie down, not during.
- Say out loud what length and curl you want, and that you would rather it looked natural if that is true. Once a set is on, changing your mind means a removal appointment.
What the photographs mean for lash work
This is the category where the photograph is not just the work. A lash picture is taken from fifteen centimetres of a closed eye, and a closed eye is a face: your brow, your skin, the shape of your lid. Photographs are always a separate agreement and never a condition of the appointment — an advert that wants them says so before you apply and names the uses, and you agree to those uses rather than to photography in general, with your own link to withdraw it afterwards. If you would rather not be recognisable, say so before she starts, because a before-and-after pair of a whole open eye is the shot most lash artists actually want.
What lash models ask
Four answers, each of them about the product rather than about a plan.
How long will I be lying there?
The advert carries the length its poster expects, in minutes, beside the day and the start time — so a two-hour classic set and a three-hour volume set are told apart before you apply rather than afterwards. It is an estimate rather than a promise, and a set done by somebody learning usually runs past it, so plan the hour after it as free.
Do I have to send a photograph of my eyes to apply?
No, and there is no field for one. Applying answers the advert's own questions and accepts its conditions; it does not upload a picture of you, because the product does not take one. If somebody asks you for a photograph of yourself outside Slotora before accepting you, that is not something this finder asked for.
Can I ask about the glue, or a patch test, before I commit?
Yes — asking is a separate door from applying and it commits you to nothing at all. You can ask which adhesive she uses, whether she will patch test you, and how long she really expects to take, without answering the advert's questions or accepting its cancellation rule. Applying is the commitment; a question is a question.
Will I be reminded? I have booked three weeks out.
Both of you are reminded twenty-four hours before, by e-mail and by notification in the app, from the finder itself rather than from anybody's salon diary. Those are the only two channels there are: nothing in this path can reach your telephone number, because a marketplace account has no credit for it and no salon to bill. So the address you signed up with is the one that matters.
Other treatments, and where
Seven kinds of work have a page like this one, and lash people often sit for brows as well. Every advert names its town, and a town has a page of its own only when there are adverts live in it.