Make-up models wanted — a free full face, and the photographs are the point
Make-up is the easiest appointment here to say yes to and the hardest to be casual about. It washes off the same evening, so there is nothing to live with — and the whole reason somebody needs you is a photograph of your face looking into a lens. This page is mostly about that, because the money is simple and the picture is not.
Create a model accountMake-up model calls that are live now
Each advert names what is being done — a bridal trial, a soft evening look, editorial, something creative — with the town, the day, the start time and how long it expects to take. Read what it says about photographs before you apply, not after.
No make-up model calls are live at the moment. The rest of this page is what a make-up sitting involves, and an advert shows up here the hour somebody publishes one.
See every model callWhat a make-up model actually sits for
Bridal and occasion trials most of all, because that is the work most make-up artists are trying to get booked for and a trial needs a face that is not their own. Then evening and soft glam, editorial and creative looks for a portfolio, colour theory practice on a skin tone somebody has not worked on before, and special-effects work on a course. What she almost always needs is variety: a different undertone, a hooded eye, mature skin, a face that photographs differently from hers.
How long it takes, and what the appointment is like
An hour to two hours, plus the photographs afterwards, which people forget to allow for and which can take another twenty minutes. You sit up, facing a light, with your eyes closed for stretches and your head being turned by someone's hand. You can talk; you cannot look at your phone for much of it. You will leave in a full face of make-up, in daylight, so if you have to be somewhere afterwards, know that in advance — bring wipes if that matters, because a studio will not always have them.
What it costs you, and what you get out of it
Free, the cost of the materials used on you, or a reduced model price — the advert says which before you apply. Being paid to sit is not one of the shapes. What you get, beyond an evening looking your best, is often the photographs themselves: many artists will send you the edited images, and that is worth asking about before the day rather than hoping. Ask whether you get the files, and ask whether you may post them yourself.
Before you sit for make-up
Nothing here is medical advice and nobody in this finder checks anybody's hygiene practice, so what protects you is what you ask and what you say. Make-up goes on the eye area and on broken skin more often than people think.
- Say if you have sensitive eyes, an eye infection, or lash extensions on already, and say what you cannot have near your skin. Ask whether she uses disposable applicators and cleans her brushes between faces.
- Come with a clean, moisturised face and no make-up, and say what you used on your skin that morning. Say if you are using retinol or acids — they change how a base sits and how your skin reacts to it.
- Agree the look in words and with a picture, and say clearly if you do not want a heavy eye or a strong lip. A portfolio look is often stronger than an everyday one, and that is a choice you get to make.
What the photographs mean for make-up work
Here the photograph is not a record of the work — it is the work's whole purpose, and it is a portrait of you, recognisable, usually looking straight into the camera. That makes this the one category where the agreement deserves as much attention as the appointment. Photographs are always separate from the sitting and never a condition of it: an advert that wants them says so before you apply and names where they would be used — a portfolio, social media, a website, teaching — you agree to those uses and not to photography in general, the wording is kept as it stood, and you get your own link to withdraw it at any time. If you are happy to be photographed but not tagged, or happy on a website and not on social media, say which: those are different uses and you can agree to one.
What make-up models ask
Four answers about the product rather than about anybody's intentions.
Do I have to send photographs of myself to be picked?
Not through Slotora, and there is no field for one — an application answers the advert's own questions and uploads no picture of you, because the product does not take one. If somebody asks you for photographs elsewhere before accepting you, that is their own request and not something this finder asked for, and you are free to say no and still be considered.
Who ends up owning the pictures of my face?
The agreement decides what they may be used for, and it is separate from the appointment and never a condition of it. An advert that wants photographs says so before you apply and names the uses — portfolio, social media, a website, teaching — and you agree to those uses rather than to photography in general. The wording you agreed to is kept exactly as it stood, and you get your own link to withdraw the agreement at any time afterwards.
Will my telephone number be visible to whoever reads the advert?
No. No contact detail of either side is ever on a page a stranger can open — not a number, not an e-mail address, not a street. Messages go through Slotora, so you can agree a look, ask about the brushes and settle the day without giving anybody your number, and the same is true in the other direction.
Free, or do I pay for the products used on me?
An advert is exactly one of three things and it says which before you apply: free, the cost of the materials used on you, or a reduced model price. There is no fourth shape, nothing can be added through Slotora — no money passes through it for a model appointment — and anything that is settled is settled between the two of you on the day.
Other treatments, and where
Seven kinds of work have a page like this one, and a make-up trial often wants hair in the same afternoon. Every advert names its town, and a town page exists only where there are live adverts.